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Friday, February 21, 2003
 
Tele-phony
A friend got her first wrong number SMS this morning. It said, "Do u want to go to the mall later will mom take us."



 
Rock Shows of Note LV
Oh, I am burning too brightly as I near my 30th birthday. Last night, Kurt called around 9 saying that he was going to TT the Bear's to see Tim Easton play. Some friends and former bandmates of Kurt's now play in Easton's back-up band.

I arrived in time to catch a lengthy set by Jay Bennett and Edward Burch. The club was all a-twitter because Bennett's the guy who "got kicked out of Wilco." Word is he plays a role in I Am Trying to Break Your Heart. They performed a solid set, albeit long, and I spent much of the evening chatting with Kurt and Geraldine. In fact, I didn't really pay much attention to Easton at all, and I went home way too late for a weeknight.

Dragging my feet today, Media Dieticians, and it's so beautiful and warm outside. And, adding mystery to misery, I somehow skinned my knuckles last night. I have no idea how I scraped my right hand so. Sigh. Tonight's going to be a quiet night inside, occupied by dishes, laundry, recycling, and the television. I'm getting too old for this.



 
Corollary: Television-Impaired VI
Pitchfork has published an article about the indie-rock leanings of Dawson's Creek, and the inclusion of local yokels Choo Choo la Rouge on said show.

It's an interesting look at how music is selected for TV shows -- and the impact that inclusion might (or might not) have on a band's "career." Interesting trivial tidbit: The Dawson's Creek Music Guide lists every song played in various episodes, complete with links to bands' Web sites, cross-referenced mentions of other episodes a musical group was featured in, and descriptions of the scenes during which a song was played. You can even compile your own soundtrack of songs from the show.

Now if only my copy of the Gilmore Girls soundtrack would arrive, already!



 
Magazine Me XXIII
Reasons You Should Read Sports Illustrated Even If You Don't Like Sports:

1. Steve Rushin. The senior writer's Air and Space columns read the way good letters from the editor should: personal, poignant, and principled.

2. The Show. This two-column roundup of one liners penned by David Letterman's head monologue writer, Bill Scheft, offers ample fuel for the water-cooler fire.

3. Faces in the Crowd. Few magazines have celebrated the Everyman -- here represented by junior, high-school, college, and other workaday amateur athletes -- as visibly or consistently.

4. The annual swimsuit issue. Meow!

5. You are -- or you know -- a man. Sometimes, knowing a little about sports, just a little, can be useful. And reading SI is hella better than watching sports, for crissakes.



Thursday, February 20, 2003
 
Corollary: Games People Play V
Here are some snapshots fresh from the Bucket Ball tournament. Get your game on.


The object of our desire: The bucket.


Referee Daigo explains scoring to Andrew.


Dan gets in the zone...


...prepares to throw...


...and misses!


The fans in the cheap seats cheer, nonetheless.


Keeping score.


Showing team pride.


Twintern Paul gives Rob a run for his money.


Boo-yah!


More from the floor.


Wicked Dixon!


A close call.


Murdoch checking the schedule


"Oh, let's check the rules to see if that counts."


Game over.


As soon as the BBL releases the official scores and statistics, I'll file another tournament report.



 
Hiking History IV
The Boston World Explorers' Foundation gathered this past Sunday for its second expedition. On the coldest day of the winter to date, on the 80th anniversary of the opening of Tutankhamen's tomb, and the day before the Blizzard of 2003, foundation members delved into the Beacon Hill neighborhood of Boston.

The Intrepid Explorers:
  • David Belson
  • Hiromi Hiraoka
  • Shannon Okey
  • Michael Reed
  • Heath Row



    Here are some architectural, cultural, and historical highlights we explored in Beacon Hill.

  • Elizabeth Palmer Peabody, who introduced kindergartens to Boston, operated a bookstore at 13-15 West St. The site, next door to the modern-day Brattle Book Store, is now a parking lot. Margaret Fuller, edior of The Dial, held discussion salons in the shop. And Peabody, an active feminist, was the model for Henry James' character Miss Birdseye in The Bostonians.



  • The Boston Alms House, one of the country's earliest poor houses, was located at the corner of Beacon and Park streets.

  • Between 1848 and 1888, there was a reservoir complex located in the block delineated by Hancock, Derne, Bowdoin, and Mount Vernon streets, directly behind the State House. Water stored there was piped in 15 miles from Lake Cochituate in Natick. Today, nothing remains of the squat, imposing, fort-like structure.



  • Much of Boston Common and Beacon Hill covers land purchased from William Blackstone, one of Boston's earliest settlers. After one of the early colonies failed, Blackstone remained behind with his library of 200 books, making a wilderness home near a spring supposedly where Louisburg Square is now. A plaque at the corner of Beacon and Spruce streets also supposedly marks the location of Blackstone's house. Louisburg Square is the site of the first home owners' association in America. The precursor to the condo associations of today, residents ringing the square share upkeep costs to maintain the fenced park area. And each parking space is deeded to a resident.

  • William Dean Howells, editor of The Atlantic, lived at 4 Louisburg Square. He also hosted the Saturday Club discussion salon.



  • Lucy Stone, an abolitionist and suffragette, edited the Women's Journal out of 5 Park St.

  • Julia Ward Howe, writer of "The Battle Hymn of the Republic" lived at 32 Mount Vernon St. She wrote the hymn at 24 West Cedar, the former home of abolitionist Wendell Phillips. She also held meetings of the Radical Club at 13 Chestnut.

  • Edwin Booth, the actor brother of assassin John Wilkes Booth, lived at 29A Chestnut. He was performing in a play in Boston at the time of Lincoln's killing. Upon hearing news of the shooting, he skipped town.

  • Robert Frost lived at 88 Mount Vernon. Henry James' father and sister lived at 131 Mount Vernon. The view of Beacon Hill, the Charles River, and Cambridge detailed in chapter 20 of The Bostonians may have been the view from their home. Mount Vernon was once called "Mount Whoredom" because of Beacon Hill's former reputation as a red-light district.



  • Not far from the Charles Street Meeting House at the corner of Mount Vernon and Charles is the converted fire station that housed the cast of Real World Boston.

  • Acorn Street is a cobbled, privately owned street. It's arguably Boston's most photographed street -- sure enough, when we approached it, some British tourists were taking pictures! -- and among the city's narrowest.

  • Pinckney Street traditional separated black from white Beacon Hill. (When the wealthy moved into the North End, they pushed out the previous black residents. Then, after the Beacon Hill neighborhood was filled in using soil from Trimountaine, the wealthy followed the blacks there, too. Henry David Thoreau lived at 4 Pinckney. Louisa May Alcott lived at No. 20. The House of Odd Windows at No. 24 has no two windows the same on the side facing the street. Workers renovating 62 Pinckney in the '20s discovered hidden chambers that were used to house slaves along the Underground Railroad.

  • Phillips Street also features Underground Railroad stops. Fugitive slaves stayed in boarding houses paid for by members of the Committee of Vigilance, an abolitionist group organized by Julia Ward Howe's husband. Samuel Gridley Howe also founded the Perkins Institute for the Blind.



  • Rollins Square, a cul de sac that opens off of Revere Street, dead ends at a fake house. The façade, complete with pillars, window shutters, and a rocking chair, blocks a 20-foot drop to the street on the other side.

  • Lastly, even though Buzzy's is gone, part of the former Charles Street Jail remains near the Charles/MGH T stop and Mass General. Its central building, which will be incorporated into a new hospital/hotel complex, was built in 1849 at the end of Boston's Granite Age. It was crowded and miserable for inmates and closed in the '80s.

    Thanks to everyone who participated! "We may not know where we're going, but we've read a lot about it."

    Sources: Philip Bergen, Old Boston in Early Photographs, 1850-1918; William Corbett, Literary New England; Fodor's Boston '96; Walt Kellley, What They Never Told You About Boston; Greg and Katherine Letterman, Walking Boston; and A. McVoy McIntyre, Beacon Hill: A Walking Tour



  •  
    Music to My Ears XXVI
    Bug Bytes is a reference library of digitized insect sounds. Eerily beautiful ambient sounds that, if you listen to too many, may just give you the creeps.

    Thanks to Memepool.



     
    Games People Play V
    Some co-workers invented a new sport called Bucket Ball. The first Bucket Ball tournament starts tonight at 5 p.m.



     
    It's an Ad, Ad, Ad, Ad World XXIV
    As if a world in which Maxim shills hair dye for men and Hustler revitalizes seedy strip clubs wasn't bad enough, the female-oriented surf clothes maker Roxy has teamed up with MTV and HarperCollins to create a TV show and book series about girl surf culture. Buy the book, wear the pants.

    Shades of DC Shoes' Project Detention show. Is that still airing?

    Thanks to Bookslut.



     
    Event-O-Dex XXXVIII
    One for the day planners:

    Saturday, March 29: Beantown Zinetown 6 will run from 11 a.m. to 6 p.m. at the Mass College of Art Gym in Boston.

    Thanks to Lisa Off My Jammy.



     
    Radio Raves
    WNUR-FM is one of the best college radio stations in the country, if not one of the best radio stations period. I DJ'd there between 1991 and 1995 while a student at Northwestern University, hosting the jazz, folk, and Shaking and Stomping show (surf, rockabilly, and garage).

    WNUR's annual pledge drive -- Phoneathon -- starts tomorrow.

    Please consider supporting WNUR 89.3 FM this year (between Thursday, Feb. 21, through Feb. 27). The Jazz Show on WNUR runs Monday-Friday from 5 a.m. through 12:30 p.m., giving everyone in Chicago and all over the world via our Webcast 37.5 hours of jazz every week. WNUR depends on its listeners for financial support -- Northwestern University only pays for transmitter-related expenses, basically just enough enough to keep our signal up. Everything else in our budget (programming-related expenses, repairs, replacements, upgrades, etc.) comes from the money we raise.

    Check out WNUR's Web site starting tomorrow morning to see all the premiums we're offering as gifts to our donors. The Jazz Show is offering over 80 different CDs that are representative of the music we play over the air. If you think non-commercial, independent, and local jazz programming in Chicago is important, then this is a great way to show your support.


    That's just the Jazz Show's email solicitation. You can check out WNUR's programming schedule online, as well as learn more about Phoneathon.

    I give WNUR money every year. And I don't even mind not receiving the premiums.



    Wednesday, February 19, 2003
     
    Happy Birthday to Media Dieticians XI
    I turn 30 next Wednesday.

    People tell me that that's kind of a big deal.

    Friends and family ask me what I'm doing to celebrate.

    I'll tell you what I'm doing.

    To honor all past, present, and future university teaching assistants and professors, I am holding office hours.

    That's right: Office hours.

    If by "office" you mean "bar."

    (I'm totally serious about the "hours" bit. Turning 29 was hard enough. 30 should be a cakewalk. If by "cake" you mean "beer." And if by "walk" you mean "drink.")

    The essentials:

  • Heath Row's 30th Birthday Office Hours
  • 8 p.m., Wednesday, Feb. 26, 2003
  • Cambridgeport Saloon
  • 300 Massachusetts Ave., Cambridge
  • (Between Central Square and MIT)

    Any and all Media Dieticians are invited. Come and go as you wish. Bring friends and family members. Bring quarters for the jukebox.

    Quoth the Boston Phoenix, "The Cambridgeport Saloon is no den of bigotry; it's not even a very rowdy place. There are just as many MIT students and townie sports fans hanging at the bar as there are skinheads. But thank God the latter have taken over the jukebox, which cranks out a collection of '77-vintage UK punk and early American hardcore as extensive as you're likely to find in any bar."

    Quoth the MIT Tech, "The Cambridge License Commission has voted to require the Cambridgeport Saloon to hire a security guard on weekend evenings to patrol the sidewalk outside the bar."

    Thank god it's Wednesday. And thank you for your attention.



  •  
    Event-O-Dex XXXVII
    Friday, Feb. 21: Lloyd Arthur (saxophone and guitar) and Frank O'Dell (drums) perform a free spazz jazz show at 8 p.m. at Twisted Village Records on Harvard Square.



     
    Corollary: Big Brother Is Watching XII
    Portland, Oregon-based attorney Bert Krages has developed a legal handbook for photographers, as well as a downloadable guide to your rights as a shutterbug. Quoth Krages:

    The right to take photographs is now under assault more than ever. People are being stopped, harassed, and even intimidated into handing over their personal property simply because they were taking photographs of subjects that made other people uncomfortable. Recent examples include photographing industrial plants, bridges, and vessels at sea. For the most part, attempts to restrict photography are based on misguided fears about the supposed dangers that unrestricted photography presents to society.

    Ironically, unrestricted photography by private citizens has played an integral role in protecting the freedom, security, and well being of all Americans. Photography in the United States has contributed to improvements
    in civil rights, curbed abusive child labor practices, and provided information important to investigating crimes. These images have not always been pretty and often have offended the sensibilities of governmental and
    commercial interests who had vested interests in a status quo that was adverse to the majority in our country.

    Photography has not contributed to a decline in public safety or economic vitality in the United States. When people think back to the acts of terrorism that have occurred over the last forty years, none have depended on or even involved photography. Restrictions on photography would have not prevented any of these acts. Similarly, some corporations have a history of abusing the rights of photographers under the guise of protecting their trade secrets. These claims are almost always bogus since entities are required to keep trade secrets from public view if they want to protect them. Trade secret laws do not give anyone the right to persecute photographers.

    The Photographer's Right is a downloadable guide that is loosely based on the ACLU's Bust Card and the Know Your Rights flyer. It may be downloaded and printed out using Adobe Acrobat Reader. You may make copies and carry them your wallet, pocket or camera bag to give you quick access to your rights and obligations concerning confrontations over photography. You may distribute the guide to others provided that such distribution is not done for commercial gain and credit is given to the author.


    Thanks to Interesting People.



     
    Big Brother Is Watching XII
    Attention, trainspotters! A student at Haverford College was arrested last weekend while working on a homework assignment in Philadelphia. As part of the Cities project, the student was taking pictures of SEPTA facilities when he was arrested, detained for a few hours, and eventually released. Word is that taking photographs of public transit facilities is cause for arrest during "Code Orange" alerts.

    Thanks to Interesting People.



    Tuesday, February 18, 2003
     
    It's an Ad, Ad, Ad, Ad World XXIII
    Ogilvy & Mather in Toronto has created an ad spot for the Television Bureau of Canada's awards, the Bessies. It's a well-produced and bittersweet short film about the birth -- and death -- of an idea.

    Thanks to Media Dietician Laszlo Perlorian.



     
    Corollary: The Blogging of Business
    Well, one of my questions about how AlwaysOn plans to incorporate members' voices outside of comments and discussion posts has been addressed. In my in box yesterday was an email from Tony Perkins that reads:

    AlwaysOn wants your opinion! But it has to be 600 words or less.

    AO is your site. I would like to extend you a personal invitation to tell the rest of us what you think. This opinion piece should be 600 words or less, very specific in its point, and ideally supported by a few data points and a few links to other sites.

    Once you have a proof-read version of your contribution please feel free to send it to me at this e-mail address. We look forward to seeing what you come up with.

    We now have over 6,000 members, and when you browse the member profiles you can see that it is a pretty smart group. So in addition to our regular correspondents, we wanted to open up the site to our most thoughtful members.

    In the next version of the site (v.75) we will be adding a member blog room so everyone can go at it. And we will be posting the entries that get the most views and highest ratings on the home page. Any other suggestions on how you think we should evolve the site would be appreciated.


    Seems like they're heading in the right direction!



    Monday, February 17, 2003
     
    Comic Books and Commerce
    Ninth Art's Paul O'Brien asks: Has Marvel sold its creative soul to the anti-smoking lobby?



     
    Blogging About Blogging L
    Google just bought Pyra Labs, maker of Blogger. Congratulations, Ev! And happy President's Day.

    Thanks to Interesting People.



     
    Event-O-Dex XXXVI
    The Zeitgeist Gallery in Inman Square in Cambridge is hosting an exhibition of original comic art featuring R. Crumb, Dan Clowes, Rick Altergott, Ariel Bordeaux, Jack Davis, Greg Cook, Art Spiegelman, and others through the month of March. "Comics as Art" can be seen at 1353 Cambridge St., Cambridge.



     
    Comics and Community VIII
    The March 2003 edition of Wizard includes an item about an interesting music-and-comics collaboration between Jim Mahfood and DJ Z-Trip. Now that Mahfood has moved to LA, he's done some "live art" at the El Rey Theater in December. While Z-Trip played hip-hop and funk music, Mahfood threw up some giant murals. Word is they intend to do more comics collaborations in the future.



     
    Comic Book Collections IV
    Not so much comic books as s-f and punk-rock fanzines, here are two interesting DIY archival opportunities.

    Per the September 2002 issue of Locus, and as mentioned here Aug. 2, 2002, the University of Calgary Library acquired the s-f book and magazine collection of William Robert Gibson, who died at the of 92 in 2001. Gibson's collection spans Jules Verne's 19th-century work to the 21st century's cyperpunk writing. It also comprises pulp magazines from the 1920s-1950s. The library estimates that it needs to raise $500,000 to clean, preserve, catalog, and house the collection, which will be open to researchers. Email Blane Hogue, director of development, information resources, for more information.

    And in Maximumrocknroll #236, Mykel Board says that the Salt Lake City Library System is paying cash money for non-newsprint zines. Mail materials to Brooke Young, Salt Lake City Public Library, 209 E. 500 S., Salt Lake City, UT 84111 -- with a bill -- and the library will send you a check to cover the donation. Board's already sent them some stuff and gotten his.



     
    Pieces, Particles XIII
    With the onset of winter in Boss Town, I've been spending some real quality time on the Big Blue Couch at Church Corner. I hope to keep up with my clip file more frequently, and I apologize for the daunting entry that follows. That said, the following media-related stories recently spotted in print publications might be worth a look. Heads and decks, only. Heads and decks.

    Alternative Voices on Campus by Emma Ruby-Sachs and Timothy Waligore, The Nation, Feb. 17, 2003
    Progressive journals are key in creating a movement, but they lack support

    Are You Addicted to TV? by Martiga Lohn, Natural Health, January/February 2003
    You can turn it off whenever you want, right? Or can you? Find out what TV is really doing to you and how altering your habits can change your life

    Big Brother Is Also Being Watched, with a New Alarm by Eleanor Heartney, The New York Times, Jan. 26, 2003
    Even before 9/11, artists were looking at issues raised by a society of surveillance

    Blabberwocky by Scot Lehigh, The Boston Globe Magazine, Feb. 9, 2003
    We've all begun to talk in media-driven stupid-speak, clipped cliches and solecisms that amount to a verbal virus

    Bone: The End, Wizard, February 2003

    Boston's Logan International Airport by Douglas Corrigan, Airliners, September/October 2002
    Gateway to New England

    Cable TV System Uprooted, and Some Russian Immigrants See Vestiges of Totalitarian Past by Andy Newman, The New York Times, Jan. 5, 2003
    A building manager cuts off reception of a Russian-language channel

    Charles N. Brown: The Joy of SF by Jennifer Hall, Locus, September 2002

    Community Rallies to Aid Creator, Wizard, February 2003

    Copyright Monopolies by Andrew Shapiro, The Nation, Feb. 17, 2003

    Culture Change by David Goodman, Mother Jones, January/February 2003
    Does the selling of Stonyfield Farm yogurt signals the end of socially responsible business -- or a new beginning?

    Dial Again by Roger Angell, The New Yorker, Feb. 10, 2003
    On the Ameche

    Doctor, My Eyes by Joel Achenbach, National Geographic, February 2003
    How we watch TV ads

    Doing Their Own Thing, Making Art Together by Holland Cotter, The New York Times, Jan. 19, 2003
    A new movement of collectives, with names like rock bands, harks back to the 60's (an uncool notion for these digital-age multitaskers).

    E-Epistles by Anjula Razdan, Utne, January-February 2003
    A letter-writing revival

    Fear of a Punk Planet by Ivan Kreilkamp, The Nation, Jan. 13-20, 2003

    Flash News by Geoff Edgers, The Boston Globe, Jan. 26, 2003
    Call them reality videos. They show young women willing to life their shirts, and 4.5 million were sold last year

    The Forest for the Trees by Michael Ackerman, The Big Takeover, No. 51

    Game School's Finest Minds by Mark Schone, Rolling Stone, Feb. 20, 2003
    Meet the young stars of a university devoted to video games -- they're the happiest dorks in college

    Get Ready for the Blogs by Leif Utne, Utne, January-February 2003
    Making good on the Internet's promise of a global village

    Getting Your War On by Camille Dodero, The Boston Phoenix, Oct. 25, 2002

    Here at GQ by Martin Beiser, GQ, September 2002
    Notes on forty-five years of ascendancy

    Here Comes the Fuzz by Richard Linnett, Advertising Age, Jan. 13, 2003
    Bat Boy crosses the line

    The Hidden Life of Art Supplies by Sara Zaske, Sierra, January/February 2003

    Holy Rock 'n' Rollers by Lauren Sandler, The Nation, Jan. 13-20, 2003

    How to Write a Catchy Beer Ad by Chris Ballard, The New York Times Magazine, Jan. 26, 2003
    Footballs, guitars -- and twins -- turned a commercial into a phenomenon

    The Hush of History by Cate McQuaid, The Boston Globe, Jan. 26, 2003
    Not all at Quabbin is a watery grave; relics of people and towns remain

    Just Plain Folks Write Songs, Too by Jon Pareles, The New York Times, Feb. 9, 2003
    For decades, song-sharking has preyed on naive, hopeful amateurs. But sometimes the racket can turn up winners

    Ladder to Success by Joanna Weiss, The Boston Globe, Feb. 9, 2003
    Step by step, publicists help turn shabby area into hip new district for Boston's martini crowd

    The Lost Art of Reading the Newspaper at Night by A.J. Jacobs, Esquire, February 2003

    Major Labels' Century-Long Abuse of Artists (and Customers), and Why Things Are Finally Starting to Change by Jack Rabid, The Big Takeover, No. 51

    The Man Who Wasn't There by David Wild, Rolling Stone, Jan. 23, 2003
    Being the director of Adaptation and the skate-punk husband of Hollywood royalty is one thing. Being able to talk about it, well, um...

    A Meter Man with a Mission by Marilyn Berlin Snell, Sierra, January/February 2003

    Mexico City's VW Bugs Are Headed for Extinction by Tim Weiner, The New York Times, Jan. 5, 2003

    Mobile Afterlife by Katie Fehrenbacher, ReadyMade, No. 5
    Where do cell phones go when they die?

    New Plaque Marks the First Home of the Globe by Karla Kingsley, The Boston Globe, Jan. 25, 2003

    Not So Funny by Mike Miliard, The Boston Phoenix, Feb. 7, 2003
    "Comic" strips get serious about life

    Online Treachery by Lazlow, Playboy, February 2003 (?)
    Net gaming has become a sinister playground for lurkers and assholes

    Orville Poundridge's GQ by David Kamp, GQ, September 2002
    A scrapbook of the century past

    The Power of Music by Ann Powers, The Nation, Jan. 13-20, 2003

    Practical Publishers by Phil Hall, The Hartford Courant, Oct. 17, 2002
    Online magazines succeed by holding down startup costs, sometimes to zero

    The "Public Interest" by Bill O'Driscoll, The Nation, Jan. 6, 2003

    Real People by Jenn Shreve, ReadyMade, No. 5
    In advertising's new reality, the ultimate sales pitch is you

    The Reconnection by Chris Wright, The Boston Phoenix, Jan. 24, 2003
    Two years after his break-up with WBUR, Chris Lydon is back in business

    Scientists Make Music with DNA, The Boston Globe, Jan. 19, 2003

    Social Climbing by Blaize Wilkinson, ReadyMade, No. 5
    How to be an urban tour guide

    Spambusters by Jacqueline White, Utne, January-February 2003
    How to rid your inbox of penis enlargement offers

    Spammers ISO Respect by Brad Stone, Newsweek, Dec. 30, 2002/Jan. 6, 2003

    Straight to Video by John Mankiewicz, The New Yorker, Feb. 10, 2003

    Tangled up in Spam by James Gleick, The New York Times Magazine, Feb. 9, 2003
    Those unwanted messages have become the bane of the Internet. Why we can't just say no

    Teen Beat by Mark Singer, The New Yorker, Jan. 13, 2003
    What happens when a high-school weekly is the only newspaper in town

    That Sucking Sound by Neal Pollack, GQ, February 2003
    Gimmicks, antics and ironic distance. Who needs real talent when you've mastered punk-rock foolishness?

    TV on DVD: A-OK by Matthew Gilbert, The Boston Globe Magazine, Jan. 26, 2003
    Several television series are now available on disc, meaning a longer afterlife and maybe even better programs in the future

    Urban Legends by Michael Azerrad, The New Yorker, Aug. 12, 2002

    Utopia 2.0 by Leif Utne, Utne, January-February 2003
    Play games, build a future

    Video Underground by Mike Miliard, The Boston Phoenix, Oct. 25, 2002
    Indie film finds a home

    Voices of America by Tom Sinclair, Entertainment Weekly, Feb. 14, 2003
    For 50 years, ordinary folk have paid to have their verse set to music. Now song-poems are being hailed as art

    Wall Street Journal Bigs Up NME!, New Musical Express, Jan. 4, 2003
    Financial bible acclaims our role in breaking new talent on both sides of the pond

    Was Romenesko Rebuilt in a Daze? by Greg Mitchell, Editor & Publisher, Nov. 25, 2002
    Forget Iraq, Osama, and the ad-revenue blahs: When a favorite Web site gets redesigned, all hell breaks loose in media land

    What It's Really Like... to Give Birth on Television by Stephanie Karp, Parents, February 2003
    We agreed to let a camera crew videotape my labor and delivery and broadcast it to millions

    When Uncle Sam Wanted Us by Paul Rauber, Sierra, January/February 2003
    To Vice President Dick Cheney, conservation is just "a sign of personal virtue." In World War II, it was every citizen's duty

    Why Information Will No Longer Be Free by Michael Scherer, Columbia Journalism Review, January/February 2003

    Zen Is Not a Perfume by Jan Chozen Bays, Buddhadharma, Fall 2002

    If you work for a magazine and would like to sign me up for a complimentary subscription, please feel free to do so. My address is in the grey bar over on the left.



     
    Digesting the Daily VIII
    Recent editions of the Daily Northwestern, the student newspaper of my alma mater, featured several media-, technology-, and activism-related items that might be of interest to Media Dieticians.

    MTV correspondent battles stereotypes, bad music
    Asian American dishes on celebrities, making it big, in front of crowd of 200
    (Jan. 14, 2003)

    A paper monopoly
    Norris Bookstore is where NU gets its texts -- but what happens if service falls short?
    (Jan. 16, 2003)

    How Norris cornered the market
    (Jan. 16, 2003)

    TV star visits As-Am class
    Actor Shin tells class about difficulties of getting minority roles in television
    (Jan. 16, 2003)

    Lord of the lingo
    NU library employee has mastered the mystical tongue central to Tolkien's trilogy
    (Jan. 17, 2003)

    Pick-A-Prof posts profs' grade history on the Web
    Site already in place at 50 universities; NU has no plans to go beyond CTEC
    (Jan. 17, 2003)

    Double trouble
    Rumor that Olsen twins will attend NY proves false but funny
    (Jan. 29, 2003)

    Weekend detention to the Daily's editorial team for thinking that Janeane Garofalo's stand-up appearance on campus was worth so much ink. The Jan. 17, 2003 edition of the Daily features two (2) feature stories about the show, taking up about half of the front page (both with jumps inside). Sure, the pieces are theoretically different. Raksha Varma reports on Garofalo's act, and Jennifer Leopoldt interviews the comedian by phone. But the two stories might have worked much better if combined into one story -- and perhaps included in one of the paper's two feature sections. Access doesn't warrant so much coverage, and unless it's a hella slow news day in Evanston, you wasted a front page. Janeane's great, but she's not all that.

    If you work for a college newspaper and would like to sign me up for a complimentary subscription, please feel free to do so. My address is in the grey bar over on the left.



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    Supernova 2004
    Supernova 2005
    SXSW 2003
    SXSW 2004
    WTF 2004
    F2C 2005
    Corante Innovative Marketing 2006


    Sections:

    Book Reviews
    Movie Reviews
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    Zine and Comic Reviews
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    Virtual Book Tour 2


    Things to Do:

    Join the Media Diet Movies club!
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    Find a free-range comic book?
    Make me a mix
    Design a Media Diet logo
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    Learn about me (mersh)
    Check out the FC blog
    Buy the book I edited (Dan Buck)
    Buy my records


    Honorary Media Dieticians:

    Blogdex
    BoingBoing
    Bookslut
    Daypop Top 40
    Daypop Top News
    Drudge Report
    Engadget
    EvHead
    Fucked Company
    I Want Media
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    Kuro5hin
    Lost Remote
    Media Life
    Metafilter
    Slashdot
    TV Barn
    Wired News


    Media Morsels:

    Bomba Charger
    Bradley's Almanac
    Common Me
    Die Puny Humans
    D-Tale
    Dr. Frank's What's-It
    Exurbitude
    Joe Sizzle
    Steven Berlin Johnson
    Justin's Links
    Lunch Is Fun
    McSweeney's
    Memepool
    Neal Pollack
    Retro Rocket
    Ross Mayfield's Weblog
    Scrawlings
    SimpleBits
    Through the Wire
    Tom Hop Dot Com
    Uber
    Umami Tsunami
    Weblogsky
    Zulkey